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"I wish you could!" says Geoffrey from his heart.,

"But—" begins he, impatiently, trying gently to put her to one side.,

"There is,—a reason not to be surpassed. And as to the parlor,"—in a melancholy tone,—"I could not be happy there, or anywhere, just at present. Unless, indeed,"—this in a very low but carefully distinct tone,—"it be here!",

In manner he is somewhat indolent, silent, perhaps lazy. But there is about him a subtle charm that endears him to all who know him. Perhaps it is his innate horror of offending the feelings of any one, be he great or small, and perhaps it is his inborn knowledge of humanity, and the power he possesses (with most other sensitive people) of being able to read the thoughts of those with whom he comes in contact, that enables him to avoid all such offence. Perhaps it is his honesty, and straightforwardness, and general, if inactive, kindliness of disposition.

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With Lady Rodney she will, I think, be always the favorite daughter. She is quite her right hand now. She can hardly get on without her, and tells herself her blankest days are those when Mona and Geoffrey return to their own home, and the Towers no longer echoes to the musical laugh of old Brian Scully's niece, or to the light footfall of her pretty feet. Violet and Dorothy will no doubt be dear; but Mona, having won it against much odds, will ever hold first place in her affections.,

"Well, I think you would, for a moment or two at least," returns he, smiling grimly, and dropping the dangerous little toy with some carelessness into his own pocket.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"I am so glad you are poor," says Mona. "If you were rich or even well off, I should never consent,—never!"